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The Fisher, the Caterpillar, and Release

Handling the Undead

This flow traces the novel’s imagery of departure from bodies, distinguishing a feared capture from a fragile passage into the unknown.

increasingupBearing stren­gth in each eventdowndecreasing
White Life in StoneWhite Life in Stone from "Handling the Undead". White Life in Stone An impossible creature A white caterpillar enters a marble gravestone and vanishes without leaving a hole.
White Life in Stone An impossible creature A white caterpillar enters a marble gravestone and vanishes without leaving a hole. The event appears small beside the city’s crisis, but it introduces the novel’s recurring creature. A hidden passage The caterpillar suggests that something living or soul-like can move through boundaries that should be solid. Its meaning becomes clearer only after the returned dead begin to leave their bodies.
Souls Made VisibleSouls Made Visible from "Handling the Undead". Souls Made Visible After the fire Flora sees caterpillars emerge from the burned bodies in The Heath courtyard.
Souls Made Visible After the fire Flora sees caterpillars emerge from the burned bodies in The Heath courtyard. She understands them as the human element made visible in a form her mind can grasp. Loss without remedy Some caterpillars swell and burst, their souls pulled toward an unknowable destination. Flora recognizes that she cannot rescue those who have been lost.
The Fisher’s HooksThe Fisher’s Hooks from "Handling the Undead". The Fisher’s Hooks A force represented The Fisher appears through a hooked figure, but Flora understands that the visible image is only a translation for human…
The Fisher’s Hooks A force represented The Fisher appears through a hooked figure, but Flora understands that the visible image is only a translation for human perception. The hooks represent collection rather than ordinary physical anatomy. Fear at the crossing The figure’s pursuit makes departure frightening, even when leaving the body may be a release. Its presence complicates the idea that death’s return necessarily brings salvation.
David Holds the CaterpillarDavid Holds the Caterpillar from "Handling the Undead". David Holds the Caterpillar Refusal to separate When Eva’s caterpillar appears, David cups it in his hands and refuses to let the Fisher take it.
David Holds the Caterpillar Refusal to separate When Eva’s caterpillar appears, David cups it in his hands and refuses to let the Fisher take it. He is trying to preserve the last tangible sign of his wife. Love changes its form Eva asks him to release her. David opens his hands, and the caterpillar becomes a butterfly that flies away, turning separation into an act of care.
Elias Leaves the SeaElias Leaves the Sea from "Handling the Undead". Elias Leaves the Sea A mother’s farewell Anna hears Elias ask about the place beyond death.
Elias Leaves the Sea A mother’s farewell Anna hears Elias ask about the place beyond death. She cannot promise what it is like, but tells him he need not be afraid. A quiet release A caterpillar breaks free from Elias’s chest, and Anna lets it go. The ending offers a loving farewell without claiming that the destination can be known.
13 August 2002, around 11 p.m.
17 August 2002, late evening
17 August 2002, late evening
17 August 2002, late evening
17 August 2002, about 11:30 p.m.